“The Moon, The Wall and Beyond Tour,” a 123-date North American run, is Brit Floyd’s most ambitious production to date. Produced by Palladium Entertainment, the dates celebrate 15 years of Brit Floyd, a milestone that underscores the band’s evolution into a global phenomenon, having performed more than1,600 shows.

The 2026 dates — including Orleans Arena at The Orleans at 8 p.m. Saturday, Oct. 10, in Las Vegas — showcase a powerful creative concept celebrating two of Pink Floyd’s most iconic and bestselling albums of all time, “Dark Side of the Moon” and “The Wall.” The dates follow a massive 2025 that saw Brit Floyd dazzle audiences across North America, the U.K. and elsewhere in Europe. 

“The Moon, The Wall and Beyond” is Brit Floyd’s most immersive production to date mixing laser and lighting design, visuals and inflatables a large video screen and theatrical staging inspired by “The Wall.” On select nights, audiences will experience full thematic performances with distinct setlists dedicated to each album, creating two concert experiences within the same tour. 

The shows will feature selections from “Dark Side of the Moon” and “The Wall,” with classics including “Time,” “Money,” “Comfortably Numb” and “Another Brick in the Wall, Part 2.” Beyond the iconic songs, audiences can expect fan favorites from Pink Floyd’s vast discography, including tracks from “Wish You Were Here,” “Animals” and more.

“I find this year’s tour rather special for a multitude of reasons,” says Brit Floyd Creator and Musical Director Damian Darlington (pictured in the main photo) of this year’s production. “Not only do we have the privilege of performing one of the biggest-selling albums of all time, ‘Dark Side of the Moon,’ but we are also able to celebrate the very best of ‘The Wall.’ ”

“On the evenings dedicated to ‘The Wall,’ we truly go all in on the visuals and theatrics. Some have said it almost touches on elements of Broadway theater, which we feel greatly enhances the storytelling.

“Ian Cattell delivers a remarkable performance in his portrayal of ‘Pink’s’ progression and transformation through each song, much as one might expect from anyone familiar with ‘The Wall’ film or those who grew up immersed in the album’s imagery and narrative.”

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